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| 董钧：两生花 |
展示时间：2020年12月19日
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 2020-12-19 |
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西安美术馆青年艺术家项目
XI'AN ART MUSEUM YOUTH ARTIST SOLO
EXHIBITION SERIES
董钧：两生花
Dong Jun Solo Exhibition: THE MOST FAMILIAR STRANGER
开幕 | Opening
2020/12/19， 19:30–21:00
展期 | Duration
2020/12/19-2021/01/24
Hall 4, 2 / F, Xi 'an Art Museum
Art Director: Yang Chao
策展人：海杰
学术主持：杨西
展览设计：阎洲 Curator: Hai Jie
Exhibition Director: Bai Xi Exhibition design: Yan Zhou 西安美术馆将于2020年12月19日荣幸推出艺术家董钧全新个展《两生花》，这是董钧在西安美术馆的首次个展。本次展览将呈现艺术家最新创作的双通道录象、影像装置以及摄影作品，展览将跨年持续至2021年1月3日。On December 19, 2020, Xi'an art museum will be honored to present Dong Jun's solo exhibition "The Most Familiar Stranger", which is Dong Jun's first solo exhibition in Xi'an Art Museum. This exhibition will present artist’s newest double channel video work, video installation and photography until March 2021.展览由董钧2020年完成的文本写作《熟人识得蓬山客，却道心底两生花》[1] 生成而来，艺术家热衷于平静湖面下的暗流涌动，那些对“欲望”和“克制”碎片化的情感和思绪被嵌构在一个更为微观的视角下，因为矛盾，所以对隐藏充满迷恋，拒绝将“故事”具象化，而是希望将“回忆”和“语言”在能指中不断的流动，对“她”而言，意识不仅仅只是隐藏于内心的流动，而是风暴，甚至是对周遭世界的吞吐与席卷。爱情是无数个偶然凝固的瞬间，艺术家希望用微妙的情愫搅浑一切，以摧毁感受与想法的不可分及语言的无用性。注释：[1] 本文首发于《画刊》2020年4月刊专题《暂时离线》（本项目由策展人杨西发起）。The exhibition commenced with Dong Jun’s writing text “ When We Are Familiar Stranger, Close But Untouchable”[1], The artist is keen on calming the undercurrent flowing under the lake. Fragmented emotions and thoughts about "appetency" and "repression" are embedded in a more micro perspective. Because of contradictions, they are infatuated with concealment and refuse to concrete the "story", instead, "memory" and "language" are flowing in the signifier. For "she", awareness is not only a flowing which was hidden in the heart, but also a storm, or even the coverage and sweeping of the surrounding world. Love is the moment of countless accidental solidification. The artist hopes to confuse everything with subtle feelings in order to destroy the inseparability of feelings and ideas, and the uselessness of language.Note: [1] this paper was first published in Art Monthly, the project of "temporarily offline", April 2020 (this project was initiated by the curator Yang Xi).熟人识得蓬山客，却道心底两生花（截屏）｜高清有声双通道录像｜黑白&彩色｜18分47秒｜2020｜When We Are Familiar Stranger, Close But Untouchable（Screen Shot-A1）| HD, Sound, Double Channel Video | Black-and-White&Colour | 18m 47s | 2020
关于艺术家
About the artist
董钧，艺术家、策展人，西安美术学院影视动画系摄影专业主任，1839摄影奖发起人。他的研究方向涉及影像创作、电影制作、展览策划与艺术教育等领域。他关注全球化语境下的社会公共议题与在地化个人思考，作品呈现出对丰富而多变世界的人性关怀与探讨，试图去触摸及分享最为敏感和细腻的社会肌理与时代境遇。董钧曾在中国的长征空间举办个展，作品在美国布罗德美术馆、美国Morono Kiang 画廊、韩国ARKO美术馆、台湾诚品画廊、澳门牛房艺术中心、UCCA尤伦斯当代艺术中心、长征空间、深圳OCAT美术馆、上海美术馆、银川当代美术馆、南艺美术馆、湖北美术馆、清华大学、法国国际环境电影节、中国独立影像年度展（CIFF）、云之南纪录影展、北京独立影展等机构和影展展出及放映。作为策展人曾在韩国ARKO美术馆、上海中华艺术宫、陕西省美术博物馆、西安美术馆、西安当代美术馆等机构策划展览与电影节。 Dong Jun, as an artist, curator, administrator of Department of Film &Animation and host of Experimental Films Studio of Xi’an Academy of Fine Arts, and initiator of 1839 Best Photography, his research interests is including moving images, film production, curating and art education, etc. Dong focuses on social public issues and personal localized reflection in the context of globalization. He discusses the humanistic caring from the vast world in his artworks, meanwhile, he attempts to touch and share the social shape and time exchange sensitively.Dong Jun held his solo exhibition in Long March Space, China. His works were collected and exhibited by MSU BOARD (U.S.), Morono Kiang Gallery (U.S.), ARKO Gallery (South Korea), Taiwan Eslite Gallery, Ox Warehouse of Macao Cultural Centre, UCCA Center for Contemporary Art, Long March Space, OCAT Shenzhen, Shanghai Art Museum, Museum Of Contemporary Art of Yinchuan, Art Museum of Nanjing University of the Arts, Hubei Art Museum, Tsinghua University, French International Environmental Film Festival, China Independent Film Festival (CIFF), Yunnan Multi Culture Visual Festival, Beijing Independent Film Festival and so on. As a curator, he worked for ARKO Gallery (South Korea), China Art Palace (Shanghai), Shaanxi Province Art Museum，Xi’an Academy of Fine Arts, and Xi’an Contemporary Art Gallery.He won the "Youth Photographer Award" at Pingyao International Photography Festival (2005), and nominated the "Best Documentary" at the Beijing International Film Festival (2011), the "Best Director" and "Best Documentary" at the KingBonn Awards (2010). |
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